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View fullsize Installation shots from 'Light's Trace' with @kadiesalmon at APT gallery August 2022. Here we see a version of the work 'Luminous Fall', this one titled just 'Fall', hand-cut folded Seichosen Kozo paper, 70x70cm The original image was a magic lante
View fullsize Installation shots from 'Light's Trace' with @kadiesalmon at APT gallery August 2022. Here we see a version of the work 'Luminous Fall', made especially for the exhibition in 2022, this one titled just 'Fall', hand-cut folded Seichosen Kozo paper, 7
View fullsize Installation shots from 'Light's Trace' with @kadiesalmon at APT gallery August 2022. Here we see a version of the work 'Luminous Fall', this one titled just 'Fall', hand-cut folded Seichosen Kozo paper, 70x70cm The original image was a magic lante
View fullsize Installation view of the back room as part of 'Light's Trace' at APT with @kadiesalmon August 2022. Left to right: Caroline Jane Harris, 'Hard Copy (Crashing Waves I)' and 'Hard Copy (Crashing Waves II)', both etched and inked zinc, 70x70cm, made fr
View fullsize Installation view of the back, darkened room as part of 'Light's Trace' with @kadiesalmon at APT gallery, August 2022. Works left to right: Kadie Salmon, 'Bllule Grey (Church I)', 2016, hand-painted black and white photograph (unique), oils, 125x125
View fullsize Installation view of the back, darkened room as part of 'Light's Trace' with @kadiesalmon at APT gallery, August 2022. Works left to right: Caroline Jane Harris, 'Fall', 2022, folded and hand-cut Seichosen paper, 70x70cm Caroline Jane Harris, 'Hard
View fullsize Installation view of the central section of 'Light's Trace' with @kadiesalmon at APT August 2022. Left to Right: Caroline Jane Harris, 'Crashing Waves I' and 'Crashing Waves II', 2019, hand-cut layered pigment prints, 72x72cm Kadie Salmon, 'Blue Gr
View fullsize Installation view of the central section of 'Light's Trace' with @kadiesalmon at APT August 2022. Left and Right: Caroline Jane Harris, 'Crashing Waves I' and 'Crashing Waves II', 2019, hand-cut layered pigment prints, 72x72cm #papercuts #sandpaper
View fullsize Installation view of the central section of 'Light's Trace' with @kadiesalmon at APT August 2022. Left to Right: Caroline Jane Harris, 'Crashing Waves I' and 'Crashing Waves II', 2019, hand-cut layered pigment prints, 72x72cm Kadie Salmon, 'Blue Gr